Media

Communion Psalm (Choral Clip) – 2 Sopranos

Mass on January 19, 2025
Basilica of the National Shrine of the Immaculate Conception, Washington D.C.

2 Sopranos, 2 Altos, 3 Tenors, 3 Basses (for Psalm)
Link for more music from this service

Video credit to the Basilica

Monteverdi – Quel Sguardo Sdegosetto

Recorded February 2025. Pianist: Rachel Flicker

Liebster Jesu, BWV 32

Recorded February 2025. Pianist: Rachel Flicker

BWV 248: 56. Du Falscher, suche nur den Herrn zu fällen

Recorded February 2025. Pianist: Rachel Flicker

Handel: “Piangero la sorte mia” from Giulio Cesare

Recorded February 2025. Pianist: Rachel Flicker

Agnus Dei from Lasso Quinti Toni (Missa super Pilons l’orge, LV 416)

Mass on January 19, 2025
Basilica of the National Shrine of the Immaculate Conception, Washington D.C.

3 Sopranos, 2 Altos, 3 Tenors, 3 Basses
Link for more music from this service

Video credit to the Basilica

BWV 245, Pt. 1: No. 9, Aria “Ich folge dir gleichfalls”

Recorded October 2024. Pianist: Jeff Kempsie

Duo Seraphim (Francisco Guerrero)

Amherst Early Music Festival Ensemble Singing Intensive program 0:00-0:22 – first voice (with Mahari Freeman, soprano)
0:23-0:34 – lower soprano voice
Recorded July 2024 by Even Brock

Domine, Non Sum Dignus (Tomas Luis de Victoria)

Amherst Early Music Festival Ensemble Singing Intensive program [with Leah Rosenman (alto), Verônica Rosa (alto), and Cameron Schubert (tenor)]
Recorded July 2024 by Even Brock

Aus Liebe, BWV 244 (St. Matthew Passion)

Recorded November 2023

Doux Liens (Couperin)

Recorded November 2023

Short clip from Strauss’s “Morgen!”

Performed for a masterclass at Seraphic Fire’s Professional Choral Institute in August 2023

“When Jesus Our Lord” from Christus, Op. 97 (Felix Mendelssohn)

Washington National Cathedral with Cathedral Choral Society
December 17, 2023

Video credit to Cathedral Choral Society

Gounod, Roméo et Juliette, Act 2: Duo. “Ô nuit divine!”

Virginia Tech Opera Workshop
with Jonathan Elmore, Tenor
Recorded December 2019

Video credit to AnneMarie Elmore